Download book A Rudimentary and Practical Treatise on Music Volume 1-2
Download book A Rudimentary and Practical Treatise on Music Volume 1-2
A Rudimentary and Practical Treatise on Music Volume 1-2.cCharles Child Spencer
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Author: Charles Child Spencer
Number of Pages: 48 pages
Published Date: 01 Mar 2012
Publisher: Rarebooksclub.com
Publication Country: Miami Fl, United States
Language: English
Format: PDF
ISBN: 9781130904055
File Name: A.Rudimentary.and.Practical.Treatise.on.Music.Volume.1-2.pdf
Download Link: A Rudimentary and Practical Treatise on Music Volume 1-2
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1881 Excerpt: ...twenty-one major and twentyone minor common chords, and we see how six new sounds, whose representatives are X F, x C, X Gr, kb B, bb E, and bbA, are introduced into the system of musical sounds. 29. These six extraordinary nofes are never assumed aa fundamental notes of chords. 30. We perceive by the construction of a common chord that it consists of the following concords, viz.: --A major third, minor third, and perfect fifth. 31. In a major common chord, the major third is formed by the fundamental note and its third, and the minor third by the third and fifth. In the minor common chord these intervals are reversed. Moreover we see these chords take their names, major and minor, from the names of their "thirds." 32. It has been already observed that the octave note to the fundamental may be added; indeed, octaves must be added when the composition is written in four distinct "parts." 33. By the addition of the octave to the fundamental note, the number of concords is doubled, as may be seen by this example: Here we have three perfect concords, viz.: --an octave between C and C, a perfect fifth C and G, perfect fourth G and C, the octave note; and three imperfect concords, viz. a major third between (the fundamental) C and E, minor third E and G, minor sixth E and C the octave. 34. Similarly in the minor common chord--i--There are the same three perfect concords as in the major common chord, and there are three imperfect concords, viz. a minor third between (the fundamental) C and b E, major third b E and G, major sixth, b E and C the 8th. 35. We also perceive that those imperfect concords which are major in the one species of common chord are minor in the other, and, vice versa, those which are m...
Read online A Rudimentary and Practical Treatise on Music Volume 1-2 Buy and read online A Rudimentary and Practical Treatise on Music Volume 1-2 Download and read A Rudimentary and Practical Treatise on Music Volume 1-2 for pc, mac, kindle, readers Download to iPad/iPhone/iOS, B&N nook A Rudimentary and Practical Treatise on Music Volume 1-2 ebook, pdf, djvu, epub, mobi, fb2, zip, rar, torrent
A Rudimentary and Practical Treatise on Music Volume 1-2.cCharles Child Spencer
Author: Charles Child Spencer
Number of Pages: 48 pages
Published Date: 01 Mar 2012
Publisher: Rarebooksclub.com
Publication Country: Miami Fl, United States
Language: English
Format: PDF
ISBN: 9781130904055
File Name: A.Rudimentary.and.Practical.Treatise.on.Music.Volume.1-2.pdf
Download Link: A Rudimentary and Practical Treatise on Music Volume 1-2
---------------------------------------------------------------
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1881 Excerpt: ...twenty-one major and twentyone minor common chords, and we see how six new sounds, whose representatives are X F, x C, X Gr, kb B, bb E, and bbA, are introduced into the system of musical sounds. 29. These six extraordinary nofes are never assumed aa fundamental notes of chords. 30. We perceive by the construction of a common chord that it consists of the following concords, viz.: --A major third, minor third, and perfect fifth. 31. In a major common chord, the major third is formed by the fundamental note and its third, and the minor third by the third and fifth. In the minor common chord these intervals are reversed. Moreover we see these chords take their names, major and minor, from the names of their "thirds." 32. It has been already observed that the octave note to the fundamental may be added; indeed, octaves must be added when the composition is written in four distinct "parts." 33. By the addition of the octave to the fundamental note, the number of concords is doubled, as may be seen by this example: Here we have three perfect concords, viz.: --an octave between C and C, a perfect fifth C and G, perfect fourth G and C, the octave note; and three imperfect concords, viz. a major third between (the fundamental) C and E, minor third E and G, minor sixth E and C the octave. 34. Similarly in the minor common chord--i--There are the same three perfect concords as in the major common chord, and there are three imperfect concords, viz. a minor third between (the fundamental) C and b E, major third b E and G, major sixth, b E and C the 8th. 35. We also perceive that those imperfect concords which are major in the one species of common chord are minor in the other, and, vice versa, those which are m...
Read online A Rudimentary and Practical Treatise on Music Volume 1-2 Buy and read online A Rudimentary and Practical Treatise on Music Volume 1-2 Download and read A Rudimentary and Practical Treatise on Music Volume 1-2 for pc, mac, kindle, readers Download to iPad/iPhone/iOS, B&N nook A Rudimentary and Practical Treatise on Music Volume 1-2 ebook, pdf, djvu, epub, mobi, fb2, zip, rar, torrent